5 December 2025: We join countless others whose lives were touched by the gentle spirit of Pops Mohamed (1949-2025) to pay the deepest of tributes to a life dedicated to music. To be sure, Pops Mohamed was far more than just an esteemed composer and multi-instrumentalist with a professional career that stretched over half a century. He understood the profound role that music plays in bringing people together, healing the soul and illuminating the transcendent. He loved people, believed that each and every one of us play an important role in making the world a better place and tirelessly dedicated himself to embodying and sharing this powerful message. With gratitude for his proud musical legacy, we bid farewell to a creative force and spiritual mentor and offer our condolences to his beloved family and friends.
MOVEMENT IN THE CITY - Movement in the City 3
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| As-Shams Archive Vol. 6: Movement in the City - Movement in the City 3 |
Transitioning from Black Disco through Movement in the City to releasing albums as a solo artist, Pops Mohamed's 20-year trajectory through the As-Shams catalogue is second to none. Coming in the wake of the Black Disco compilation Discovery 1975-1976, Movement in the City 3 is an archival release that spans the late-70s and early-80s and assembles hidden gems from Mohamed's second progressive South African jazz ensemble.
Featuring four outtakes (three of which are previously unreleased) as well as an alternate version of a track from the band's self-titled debut of 1979 and a single edit from its 1981 follow-up Black Teardrops, Movement in the City 3 provides the long-awaited final instalment of a trilogy that echoes the three-album output of Black Disco. Alongside Mohamed on organ are stalwart compatriots Sipho Gumede (bass) and Basil Coetzee (tenor sax/flute) as well as Robbie Jansen (alto sax) and three fine drummers by way of Gilbert Matthews, Roger Harry and Monty Weber. That these extraordinary recordings didn't find their way onto an album in the 1980s is testament to the depth of quality produced at the time.
Movement in the City 3 is Volume 6 in a series of compilations and previously unreleased recordings from As-Shams Archive that include Tete Mbambisa's African Day (2024) and Kippie Moeketsi's Hard Top (2025).
Tracks 1, 2, 5: Previously unreleased Movement in the City outtakes.
Track 3: An alternate version of "Jackie" featuring Basil Coetzee on flute instead of tenor sax from Movement in the City's self-titled debut of 1979.
Track 4: Movement in the City outtake renamed and issued as "Happy Feelin'" on the Pops Mohamed album Kalamazoo in 1990.
Track 6: Single edit issued in 2020 of the album opener "Lament" from Movement in the City's 1981 album Black Teardrops.
BATSUMI - Batsumi 77
A primer for the legendary Afro-jazz group Batsumi and a gateway to their two classic albums with edited versions of tracks from the original releases.
Adapting the playlist and artwork of a compilation issued in 1977, Batsumi 77 features remastered tracks from the band's self-titled debut of 1974 and its follow-up Moving Along from 1976. While the 1977 versions of the shortened tracks employed clumsy fade-outs, Batsumi 77 revisits the editing process in 2025 with the precision and creativity offered by modern audio tools.
Batsumi 77 arrives on the cusp of the band's 50th anniversary celebration in 2026 and opens a path to the As-Shams Archive remasters collection The Hunters 1974-1976.
KIPPIE MOKETSI - Hard Top
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| As-Shams Archive Vol. 5: Kippie Moketsi - Hard Top |
Hard Top assembles the previously unreleased 1975 recordings of revered South African saxophonist Kippie Moeketsi (credited most commonly during the 1970s using the spelling variation Moketsi). The 2LP vinyl edition is presented in a gatefold sleeve featuring archival artwork by Mafa Ngwenya and comes from As-Shams/The Sun on the heels of Tete Mbambisa's African Day album in 2024.
By 1975, at the age of 50, saxophonist Kippie Moeketsi had already earned his stripes as a South African jazz figurehead. His tenure with the Jazz Epistles and the cast of the "South African Jazz Opera" King Kong in the late-1950s had not only marked his own rise in prominence but also seen him help catalyse the momentum of a younger generation of iconic artists who would go on to become the defining figures of modern South African jazz. While he didn't enjoy the same international attention as his protégés Miriam Makeba, Hugh Masekela and Abdullah Ibrahim, his noble and dedicated career on the local jazz scene until his death in 1983 saw him forge an enduring legacy.
Owing to the efforts of record producer Rashid Vally, Kippie Moeketsi's journey through the 1970s is beautifully documented, most notably on the albums Dollar Brand + 3 (1973), Tshona! (1975) and Blue Stompin' (1977), in which he shares the spotlight with Abdullah Ibrahim, Pat Matshikiza and Hal Singer respectively. As a featured performer on Soul of the City's Diagonal Street (1975) and Dennis Mpale's Our Boys are Doing It (1977), Moeketsi is seen embracing the popular orientations of South African jazz in 1970s but, having come up in the 1940s and 1950s, he never forgot his roots as an admirer and dedicated scholar of Classic American Jazz.
While Moeketsi did write some memorable compositions, it was in the role of interpreter that he shone most brightly. With its title derived from a good-natured nickname that nodded to Moeketsi's elder status by way of his receding hairline, Hard Top is a covers album that looks back in time to the era of rhythm and blues while also indulging 1970s pop and funk with a decidedly South African vibe.
Marking the 100th anniversary of Kippie Moeketsi's brith on 27 July 1925 and officially joining his catalogue 50 years after it was recorded, Hard Top celebrates the multiple dimensions of a veritable South African jazz legend. The release also provides an opportunity to reflect on the unwavering support of his producer, fan and friend Rashid Vally, who passed away in December 2024.
Cover Artwork by MAFA NGWENYA



