Showing posts with label as-shams archive. Show all posts
Showing posts with label as-shams archive. Show all posts

AS-SHAMS ARCHIVE VOL. 2

As-Shams Archive Vol. 2: Super Jazz from Joburg & Soweto 1974-1978

MAY 2026: As-Shams Archive Vol. 2: Super Jazz from Joburg & Soweto 1974-1978 is a digital release that compiles tracks originally issued by the Jo'Burg, Soweto and R&T labels of the Satbel Music Company, which ran a cutting-edge recording studio on Marshall Street in Johannesburg during the 1970s. A batch of the company's jazz, funk and soul titles were later acquired by producer Rashid Vally for As-Shams/The Sun, including works by sax heavyweights Winston Mankunku Ngozi and Mike Makhalemele, guitar heroes Themba Mokoena and Allen Kwela, indigenous jazz innovators Batsumi and the fusion supergroup Spirits Rejoice.

With 12 tracks representing 12 classic albums, As-Shams Archive Vol. 2 showcases the depth and breadth of modern, independent music in South Africa in the 1970s and celebrates the ambition and spirit of the artists, engineers, producers and promoters who helped build the country's eclectic and enduring jazz scene.


1. THEMBA feat. THEMBA MOKOENA – “Fana Fana” (M. Dlamini)
From the album Themba (Soweto, 1976)
Guitar – Themba Mokoena.

2. THE CLIFFS feat. WINSTON MANKUNKU NGOZI – “Gu Gu Lethu” (W. Ngozi)
From the album Alex Express (R & T, 1975)
Alto Sax – Winston Mankunku Ngozi, Trumpet – Stompie Manana/George Tyefumani, Organ – Roger Khoza, Guitar – Allen Kwela, Bass – Philip Kiti, Drums – Peter Jackson.

3. ALLEN KWELA – “Quaphela” (A. Kwela)
From the album Black Beauty (Soweto, 1975)
Guitar – Allen Kwela, Alto Sax – Kippie Moeketsi/Barney Rachabane, Tenor Sax – Stanley Sithole, Trumpet – Dennis Maple, Piano – Dimpie Tshabalala, Bass – Boy Ramotsie, Drums – Gilbert Matthews.

4. THE HEADQUARTERS – “Mthuthuzeli” (B. Piliso)
From the album Thando (Soweto, 1976)
Tenor Sax – Boikie Piliso, Alto Sax – Lemmy Mabaso, Trumpet – Peter Segona, Piano – Dimpie Tshabalala, Bass – Justice Maphumulo, Drums – David Ramogase.

5. BEN NOMOYI – “Jubliee” (D. Makasi)
From the album Born to Lose (R & T, 1974)
Trumpet – Dennis Mpale, Tenor Sax – Duke Makasi/Themba Koyana, Piano – Bucs Gongo, Bass – Zulu Bidi, Drums – Max Diamond, Percussion – Bingo Mbonjeni.

6. MIKE MAKHALEMELE – “Gone and Forever” (M. Makhalemele)
From the album Peaceful Eyes (Jo’Burg, 1976)
Tenor Sax – Mike Makhalemele.

7. SOUL OF THE CITY feat. KIPPIE MOEKETSI – “City Soul” (T. Rabin)
From the album Diagonal Street (Jo’Burg, 1975)
Alto Sax – Kippie Moeketsi, Tenor Sax – Mike Makhalemele, Trumpet – Themba Mehlomakulu, Guitar/Keyboards/Bass/Vibes – Trevor Rabin,  Guitar – Malcolm Watson, Drums/Percussion – Kevin Kruger.

8. THE COOL CATS – “Monty’s Bar” (C.B. Matiwane)
From the album Sikiza Steady (Soweto, 1976)
Tenor Sax – Mike Makhalemele, Trumpet – Banza Kgasoane, Piano – Jabu Nkosi, Guitar – Anderson Nkosi, Bass – Given Sabela, Drums – Gilbert Matthews.

9. SAUL MALAPANE – “Dijo” (S. Malapane)
From the album Of Mice and Men (Soweto, 1975)
Guitar – Saul Malapane.

10. MIKE MAKHALEMELE & WINSTON MANKUNKU NGOZI – “Togetherness” (M. Makhalmele)
From the album The Bull and the Lion (Jo’Burg, 1976)
Sax/Voices – Mike Makhalemele/Winston Mankunku Ngozi, Guitar – Trevor Rabin, Piano – Tete Mbambisa, Bass – Ronnie Robot, Drums – Neil Cloud.

11. SPIRITS REJOICE – “Emakhaya” (S. Gumede)
From the album Spirits Rejoice! (Jo’Burg, 1978)
Tenor Sax – Duke Makasi, Alto Sax/Flute – Robbie Jansen, Trumpet/Spoken Word – George Tyefumani, Second Trumpet – Thabo Mashishi, Piano – Mervyn Africa, Guitar – Paul Petersen, Bass – Sipho Gumede,  Drums – Gilbert Matthews.

12. BATSUMI – “Anishilabi” (J. Mothopeng, L. Mothopeng, B. Zwane, T. Masemola, Z. Bidi)
From the album Batsumi (R & T, 1974)
Percussion/Drums – Lekgabe Abel Maleka, Vocals/Bongos – Buta-Buta Zwane, Acoustic Guitar/Vocals – Maswaswe John Mothopeng, Organ – Sello Lancelot Mothopeng, Tenor Sax – Themba Koyana, Drums/Flute – Thabang Masemola, Bass – Zulu Bidi.

• Tracks 1, 6 and 9 credited to album artists only as complete lineups are undocumented. Performer credits for tracks 5, 7, 10, 11 and 12 as listed on original album sleeves. Speculative lineups provided for tracks 2, 3, 4 and 8.

• Album artwork inspired by the Soweto label's two-volume Super Jazz compilation series of 1975 with photo insets of Winston Mankunku Ngozi (left) and Mike Makhalemele (right).

Audio Mastering by Richard Vossgatter
Design by Naomi e'Camara
Compiled and Produced by Calum MacNaughton
Executive Producer: Rashid Vally

Cat. No. ASA102
℗ 1974, 1975, 1976, 1978 © 2026 As-Shams Archive

As-Shams Archive is home to the catalogues of As-Shams/The Sun, its predecessor Soultown Records and the reissue imprint MANDLA. The archive holds original master tapes, unreleased recordings, photographs, artwork and ephemera documenting the story of South African jazz in the 1970s.

AS-SHAMS ARCHIVE VOL. 1

As-Shams Archive Vol. 1: South African Jazz, Funk & Soul 1975-1982



MARCH 2023: As-Shams Archive Vol. 1 introduces the core catalogue of As-Shams/The Sun, the independent record label that documented some of the most exciting developments in jazz, funk and soul from South Africa in the 1970s. With 10 tracks from 10 iconic albums featuring 10 different artists and 10 original compositions, this compilation delivers 85 minutes of South African music history.

Including essential tracks by the likes of Dick Khoza, Black Disco and Harari, remastered from the original analog tapes, As-Shams Archive Vol. 1 is an unbeatable introduction to South African rare groove for new listeners as well as a long-awaited first anthology for the label’s many devoted followers.

DIGITAL ALBUM

1. KIPPIE MOKETSI – “Umgababa” (K. Moketsi)
From the album Tshona! (1975)
Alto Sax - Kippie Moketsi, Tenor Sax – Basil Coetzee, Piano – Pat Matshikiza, Bass – Alec Khaoli, Drums – Sipho Mabuse.

2. PAT MATSHIKIZA – “Dreams are Wonderful” (P. Matshikiza)
Piano – Pat Matshikiza, Alto Sax – Kippie Moketsi, Tenor Sax – Duku Makasi, Trumpet – George Tyefumani, Guitar – Sandile Shange, Bass – Sipho Gumede, Drums – Gilbert Matthews.

3. TETE MBAMBISA – “Umthsakazi (The Bride)” (T. Mbambisa)
Piano – Tete Mbambisa, Alto Sax – Barney Rachabane, Tenor Sax – Duku Makasi/Aubrey Simani, Baritone Sax – Freeman Lambatha, Trumpet – Tex Nduluka, Guitar – Enoch Mthalane, Bass – Sipho Gumede, Drums – Dick Khoza.

4. DICK KHOZA – “Lilongwe” (D. Khoza)
From the album Chapita (1975)
Drums – Dick Khoza/Negro Mathunjwa, Tenor & Soprano Sax – Ezra Ngcukana, Tenor Sax – Aubrey Simani/Khaya Mahlangu, Alto Sax - Teaspoon Noel, Trumpet – Themba Mehlomakulu, Trombone – Willie Nettie, Electric Piano – Mac Mathunjwa, Lead Guitar – Themba Mokoena, Rhythm Guitar – Joe Zikhali, Bass Guitar – Bethuel Maphumulo.

5. MIKE MAKHALEMELE – “Spring is Here” (M. Makhalemele)
From the album Blue Mike (1982)
Tenor Sax – Mike Makhalemele, Organ – Jabu Nkosi, Bass – Zulu Bidi, Drums – Nelson Magwaza.

6. BLACK DISCO – “Night Express” (B. Coetzee)
From the album Night Express (1976)
Organ – Pops Mohamed, Flute & Tenor Sax – Basil Coetzee, Bass – Sipho Gumede, Drums – Peter Morake.

7. LIONEL PILLAY – “Blues for Yusef” (L. Pillay)
From the album Deeper in Black (1980)
Piano – Lionel Pillay, Alto Sax – Barney Rachabane, Tenor & Soprano Sax – Duku Makasi, Bass – Sipho Gumede, Drums – Gilbert Matthews.

8. HARARI – “Musikana” (S. Ntuli, A. Khaoli, S. Mabuse)
From the album Rufaro (1976)
Vocals – Selby Ntuli/Alec Khaoli/Sipho Mabuse, Alto Sax – Barney Rachabane, Trumpet – Stompie Manana, Lead Guitar – Themba Mokoena, Keyboard – Selby Ntuli, Bass – Alec Khaoli, Drums – Sipho Mabuse.

9. MOVEMENT IN THE CITY – “Blue Sunday” (P. Mohamed)
Piano – Pops Mohamed, Tenor Sax – Basil Coetzee, Bass – Peter Odendaal, Drums – Monty Weber.

10. SATHIMA BEA BENJAMIN – “Music” (B. Benjamin)
Vocals – Sathima Bea Benjamin, Flute – Basil Coetzee, Bass - Louis Spears/Basil Moses/Lionel Beukes, Drums - Doug Sides/Monty Weber.

Cover Photograph by RALPH NDAWO
Gatefold Artwork (Vinyl Edition) by HARGREAVES NTUKWANA

Audio Mastering by Noah Mintz
Design Layout by Rouleaux van der Merwe
Compiled & Produced by Calum MacNaughton
Executive Producer: Rashid Vally

Cat. No. ASA101
℗ 1975, 1976, 1979, 1980, 1982 As-Shams/The Sun
© 2023 As-Shams Archive

As-Shams Archive is home to the catalogues of As-Shams/The Sun, its predecessor Soultown Records and the reissue imprint MANDLA. The archive holds original master tapes, unreleased recordings, photographs, artwork and ephemera documenting the story of South African jazz in the 1970s.

TETE MBAMBISA - Did You Tell Your Mother


APRIL 2026: Released in 1979, Tete Mbambisa's Did You Tell Your Mother delivers the ultimate blend of African groove with American modal grace, making it one of the all-time classic albums of South African jazz. With Mbambisa presenting original compositions at the piano alongside Basil "Mannenberg" Coetzee on tenor sax and flute, the acoustic quartet featured here is rounded out by Zulu Bidi from the band Batsumi on bass locking in with Dollar Brand drummer Monty Weber. 2026 vinyl reissue from As-Shams Archive presents a flat transfer of the master tapes with album artwork restored using illustrator Hargreaves Ntukwana's original ink drawing.

A1. Trane Ride 11:21
A2. Past Time 09:28

B1. Wintertime 08:05
B2. Irene 09:34


All Tracks Composed by Tete Mbambisa

Piano – Tete Mbambisa
Tenor Saxophone & Flute – Basil Coetzee
Bass – Zulu Bidi
Drums – Monty Weber

Produced by Rashid Vally
Album Artwork by Hargreaves Ntukwana

Cat. No. ML 4258
℗ 1979 © 2026 As-Shams Archive

BATSUMI - The Hunters 1974-1976

As-Shams Archive Vol. 7: Batsumi - The Hunters 1974-1976
The Hunters 1974-1976 is a digital release that combines Bastumi's self-titled album of 1974 with its 1976 follow-up Moving Along - a complete studio recordings compilation that commemorates the 50th anniversary of the band's discography and celebrates its enduring vitality.

Batsumi was a South African band that carved a singular niche for themselves in the jazz scene of the 1970s. Taking inspiration from the Malombo Jazz Makers of the 1960s, they wove deep Afrocentric threads into their avant-garde tapestry of jazz, a pursuit guided by an ethos of craft and authenticity that sought to reconcile tradition with modernity. The Batsumi name, meaning "The Hunters" in Sesotho, further professed their mission to identify, track down and capture a new aesthetic for African heritage and pride. This they accomplished with two outstanding albums comprising nine remarkable tracks.

Originally issued by the Record and Tape Company and later acquired by As-Shams/The Sun, Batsumi was brought to the attention of 21st-century vinyl enthusiasts in 2011 through the efforts of the Matsuli Music record label. In 2026, former bandleader John Mothopeng continues to help guide and direct the custodianship of Batsumi's recorded legacy with As-Shams Archive.

1. Lishonile (2026 Remaster) 11:27
2. Emapondweni (2026 Remaster) 05:10
3. Mamshanyana (2026 Remaster) 04:41
4. Itumeleng (2026 Remaster) 15:59
5. Anishilabi (2026 Remaster) 03:25
6. Toi-Toi (2026 Remaster) 05:34
7. Moving Along (2026 Remaster) 09:51
8. Evil Spirits (2026 Remaster) 06:29
9. Sister (2026 Remaster) 08:11


All Tracks Composed by Batsumi

Tracks 1-5 from the album Batsumi (1974)
Recorded at Audio Arts
Recording Engineer: Chris van Schouen
Produced by C.B. Matiwane

Tracks 6-9 from the album Moving Along (1976)
Recorded at Satbel Studios
Produced by Batsumi

Personnel:
Lekgabe Abel Maleka – Percussion, Drums
Buta-Buta Zwane – Vocals, Bongos
Maswaswe John Mothopeng – Piano, Acoustic Guitar, Vocals
Sello Lancelot Mothopeng – Organ
Themba Koyana – Tenor Sax
Zulu Bidi – Double-Bass

On Tracks 1-5:
Thabang Masemola – Drums, Flute, Jew's Harp

On Tracks 6-9:
Munich Sibiya – Bongos, Vocals on "Toi-Toi"
Peter Segona – Trumpet
Sipho Mabuse – Flute

Cover Photo (L-R): Thabang Masemola, Buta-Buta Zwane and John Mothopeng (Mamelodi Stadium, August 1974). Licensed courtesy African Pictures.

Remastered by Noah Mintz 
Design and Layout by Ash Pederick
Compiled and Produced by Calum MacNaughton 
(with direction from John Mothopeng)

Cat. No. ASA107
℗ 1974, 1976 © 2026 As-Shams Archive

John Mothopeng in Johannesburg in March 2022
(Photo: Calum MacNaughton)

MOVEMENT IN THE CITY - Movement in the City 3

As-Shams Archive Vol. 6: Movement in the City - Movement in the City 3



Transitioning from Black Disco through Movement in the City to releasing albums as a solo artist, Pops Mohamed's 20-year trajectory through the As-Shams catalogue is second to none. Coming in the wake of the Black Disco compilation Discovery 1975-1976, Movement in the City 3 is an archival release that spans the late-70s and early-80s and assembles hidden gems from Mohamed's second progressive South African jazz ensemble.

Featuring four outtakes (three of which are previously unreleased) as well as an alternate version of a track from the band's self-titled debut of 1979 and a single edit from its 1981 follow-up Black Teardrops, Movement in the City 3 provides the long-awaited final instalment of a trilogy that echoes the three-album output of Black Disco. Alongside Mohamed on organ are stalwart compatriots Sipho Gumede (bass) and Basil Coetzee (tenor sax/flute) as well as Robbie Jansen (alto sax) and three fine drummers by way of Gilbert Matthews, Roger Harry and Monty Weber. That these extraordinary recordings didn't find their way onto an album in the 1980s is testament to the depth of quality produced at the time.

Movement in the City 3 is Volume 6 in a series of compilations and previously unreleased recordings from As-Shams Archive that include Tete Mbambisa's African Day (2024) and Kippie Moeketsi's Hard Top (2025).

1. Can't Think 08:20
2. Philly Sound 05:21
3. Jackie (Flute Version) 05:07
4. Eventide (Happy Feelin') 08:30
5. Monty's Groove 03:32
6. Lament (Single Version) 06:18

DIGITAL ALBUM

Tracks 1, 2, 5: Previously unreleased Movement in the City outtakes.

Track 3: An alternate version of "Jackie" featuring Basil Coetzee on flute instead of tenor sax from Movement in the City's self-titled debut of 1979.

Track 4: Movement in the City outtake renamed and issued as "Happy Feelin'" on the Pops Mohamed album Kalamazoo in 1990.

Track 6: Single edit issued in 2020 of the album opener "Lament" from Movement in the City's 1981 album Black Teardrops.

TRACKS 1, 3:
Organ – Pops Mohamed
Flute – Basil Coetzee
Bass – Sipho Gumede
Drums – Gilbert Matthews

TRACKS 2, 4, 6:
Organ, Fender Rhodes, Synth – Pops Mohamed
Tenor Sax, Flute – Basil Coetzee
Alto Sax – Robbie Jansen
Bass – Sipho Gumede
Drums – Roger Harry

TRACK 5:
Organ – Pops Mohamed
Tenor Sax – Basil Coetzee
Bass – Sipho Gumede
Drums – Monty Weber

All Tracks Composed by Pops Mohamed
Sessions Produced by Rashid Vally

Tape Transfers by Rob Allingham
Remastered by Richard Vossgatter
Design and Layout by Ash Pederick
Compiled & Produced by Calum MacNaughton 
(with direction from Pops Mohamed)

Cat. No. ASA106
℗ 1979, 1981, 1990 © 2025 As-Shams Archive

KIPPIE MOKETSI - Hard Top

As-Shams Archive Vol. 5: Kippie Moketsi - Hard Top


Hard Top assembles the previously unreleased 1975 recordings of revered South African saxophonist Kippie Moeketsi (credited most commonly during the 1970s using the spelling variation Moketsi). The 2LP vinyl edition is presented in a gatefold sleeve featuring archival artwork by Mafa Ngwenya and comes from As-Shams/The Sun on the heels of Tete Mbambisa's African Day album in 2024.

By 1975, at the age of 50, saxophonist Kippie Moeketsi had already earned his stripes as a South African jazz figurehead. His tenure with the Jazz Epistles and the cast of the "South African Jazz Opera" King Kong in the late-1950s had not only marked his own rise in prominence but also seen him help catalyse the momentum of a younger generation of iconic artists who would go on to become the defining figures of modern South African jazz. While he didn't enjoy the same international attention as his protégés Miriam Makeba, Hugh Masekela and Abdullah Ibrahim, his noble and dedicated career on the local jazz scene until his death in 1983 saw him forge an enduring legacy.

Owing to the efforts of record producer Rashid Vally, Kippie Moeketsi's journey through the 1970s is beautifully documented, most notably on the albums Dollar Brand + 3 (1973), Tshona! (1975) and Blue Stompin' (1977), in which he shares the spotlight with Abdullah Ibrahim, Pat Matshikiza and Hal Singer respectively. As a featured performer on Soul of the City's Diagonal Street (1975) and Dennis Mpale's Our Boys are Doing It (1977), Moeketsi is seen embracing the popular orientations of South African jazz in 1970s but, having come up in the 1940s and 1950s, he never forgot his roots as an admirer and dedicated scholar of Classic American Jazz.

While Moeketsi did write some memorable compositions, it was in the role of interpreter that he shone most brightly. With its title derived from a good-natured nickname that nodded to Moeketsi's elder status by way of his receding hairline, Hard Top is a covers album that looks back in time to the era of rhythm and blues while also indulging 1970s pop and funk with a decidedly South African vibe.

Marking the 100th anniversary of Kippie Moeketsi's brith on 27 July 1925 and officially joining his catalogue 50 years after it was recorded, Hard Top celebrates the multiple dimensions of a veritable South African jazz legend. The release also provides an opportunity to reflect on the unwavering support of his producer, fan and friend Rashid Vally, who passed away in December 2024.

A1. It Was a Very Good Year (E. Drake) 06.50
A2. Swallowin' the Blues (K. Graham) 13.19

B1. New Cambridge Blues (H. Baker, C. Hodges) 11.45
B2. Untitled (By Dennis Mpale) (D. Mpale) 06.08

C. I Can See Clearly Now (J. Nash) 17.18

D1. Black Frost (B. James, G. Washington) 06.44
D2. Wavy Gravy (K. Burrell) 11.22

Alto Sax – KIPPIE MOKETSI *
Tenor Sax – DUKE MAKASI
Bass – SIPHO GUMEDE
Drums – GILBERT MATTHEWS

A1, A2, A3 – Undated / Engineer: Robin Ritchie
Piano – PAT MATSHIKIZA

A4 – Dated 18 August 1975
C, D1, D2 – Dated 2 October 1975
Alto Sax – BARNEY RACHABANE
Piano – JABU NKOSI
Guitar – ENOCH MTHALENI
Trumpet – DENNIS MPALE

Recorded in 1975 at Gallo Sound Studios,
Johannesburg, South Africa
Produced by RASHID VALLY

Cover Artwork by MAFA NGWENYA

ON VINYL EDITION
Gatefold Artwork by MAFA NGWENYA
Back Cover Photo by EVANS MAKAPANA MBOWENI

Tape Transfers by Rob Allingham
Audio Mastering by Noah Mintz
Design and Layout by Rouleaux van der Merwe
Compiled and Produced by Calum MacNaughton
Executive Producer: Rashid Vally

* NOTE ON SPELLING
Moeketsi is the standard version of the South African family name and the spelling most commonly used when referring to Kippie. Physical and digital editions of Hard Top apply the spelling variant Moketsi, which was used for Kippie's artist credits throughout the 1970s, appearing on the albums Dollar Brand + 3 (1973), Tshona! (1975), Sikiza Matshikiza (1976), Blue Stompin' (1977) and Our Boys are Doing It (1977). It is not known why this variant was adopted but it remains in use for his As-Shams Archive discography while general commentary about Kippie defers to the standard spelling.

Cat. No. ASA105
℗ 1975 © 2025 As-Shams Archive

TETE MBAMBISA - African Day

As-Shams Archive Vol. 4: Tete Mbambisa - African Day

Awarded an honorary doctorate from the University of Cape Town in 2023, pianist Tete Mbambisa (82) is a legendary figure in South African jazz. Supported by the cream of the local scene, his albums from the 1970s are among the most cherished vinyl documents from this golden era. A monumental archival undertaking, African Day compiles unreleased recordings from 1976 to resurrect a "lost" Tete Mbambisa double album that falls between his seminal works Tete's Big Sound (1975) and Did You Tell Your Mother (1979).

Born in 1942 and raised in South Africa's Eastern Cape province, Tete Mbambisa’s childhood home served as an informal tavern where social gatherings orbited around the family's carefully curated music collection with live performances by a local pianist. Growing up in this environment, his musical roots are embedded in marabi, the syncopated piano sound that blended cues from American jazz, blues and ragtime with the cultural sensibilities that shape modern South African jazz.

A self-taught musician, it was as leader of the vocal group The Four Yanks in the early 1960s that Tete Mbambisa’s music career began in earnest. With encouragement from Abdullah Ibrahim, he dedicated himself to the piano and went on to record with The Soul Jazzmen in 1969. Mbambisa's two solo recordings from the 1970s were produced by Rashid Vally for the independent As-Shams/The Sun record label. With an abundance of strong material but limited resources, some of the label's prospective releases were not issued at the time of recording. Featuring the intended artwork commissioned for the project in 1976, African Day marks the first major unveiling of unreleased gems from the As-Shams master tape archive.

A. African Day 17:41

B1. Khumbula Jane 3:25
B2. Siviwe 5:13
B3. Kohinoor 5:12
B4. Mr. Mecca 4:58

C1. Siyanda 6:44
C2. Umsenge 7.55

D1. Relaxin' 8:49
D2. Untitled (For Duke Makasi) 6:22

Piano – TETE MBAMBISA
Bass – SIPHO GUMEDE
Drums – GILBERT MATTHEWS
Tenor Sax – DUKE MAKASI
Tenor Sax / Flute – BASIL COETZEE (A, B)
Alto Sax – BARNEY RACHABANE (A, B) 
Trumpet – DENNIS MPALE

A, B
Recorded 27 February 1976 at Satbel Studios
Johannesburg, South Africa
Recording Engineer: Peter Thwaites

C, D
Unannotated session recorded in 1976.

Composed by TETE MBAMBISA
(except "Khumbula Jane" by Mackay Davashe)
Produced by RASHID VALLY

Cover Artwork by ZULU BIDI
(sourced courtesy Chris Albertyn)

ON PHYSICAL EDITIONS
Back Cover Photo by IAN BRUCE HUNTLEY
(under license from african.pictures)
Gatefold Photo by PERS ENGLUND
(used with permission)

Tape Transfers by Rob Allingham
Audio Mastering by Noah Mintz
Design & Layout by Rouleaux van der Merwe
Compiled & Produced by Calum MacNaughton
(with direction from Tete Mbambisa & Rashid Vally)

Cat. No. ASA104
℗ 1976 © 2024 As-Shams Archive

BLACK DISCO - Discovery 1975-1976

As-Shams Archive Vol. 3: Black Disco - Discovery 1975-1976

With a Yamaha organ and a dream, Pops Mohamed started his musical journey in the mid-1970s as the bandleader and composer of Black Disco, creating a hip melange of chill-out jazz with futuristic drum machine sounds and spiritual overtones. His cosmic organ transmissions were accompanied by two of the most sought-after session players on the South African scene, the sax and flute wizard Basil Coetzee, who had risen to fame in 1974 as one of the soloists on the hit “Mannenberg,” and Sipho Gumede, the young bass prodigy who was already rubbing shoulders with the old guard at the outset of his career. Backed at first with polyphonic beats from Mohamed’s electric organ and later taking on a drummer, Black Disco created a signature sound and a trilogy of innovative albums in a burst of studio creativity between 1975 and 1976.

Distilling the group’s recorded output into a single commemorative document, Discovery 1975-1976 compiles cuts from the lauded Night Express album alongside rare gems from the group’s long-out-of-print first and third albums. The newly remastered selection features previously unissued single versions of the mighty “Night Express” itself, a funk juggernaut with piercing flute whistles and rapturous sax cries as well as “Dawn” from the album Black Disco 3, a trippy, flute-driven awakening of soft light and gentle colours.

LINER NOTES

1. Spiritual Feeling (Riding the Blue) 6:44
2. Pops Blue 3:06
3. Night Express (Single Version) 5:20
4. Kids in the Dark 5:00
5. Dawn (Single Version) 4:42
6. I'm Organized 6:42
7. Yasmeen's Blues 4:51
8. Dark Clouds Part 1 3:19

Tracks 2, 6, 8 from the album BLACK DISCO (1975)
Tracks 3, 7 from the album NIGHT EXPRESS (1976)
Tracks 1, 4, 5 from the album BLACK DISCO 3 (1976)

ORGAN AND DRUM MACHINE – Pops Mohamed
TENOR SAX AND FLUTE – Basil Coetzee
BASS – Sipho Gumede / Peter Odendaal (1, 4, 5)
DRUMS – Peter Morake (3, 7) / Monty Weber (1, 4, 5)

Recorded by Peter Ceronio at Gallo Studios
Produced by Rashid Vally

Audio Mastering by Noah Mintz
Design and Layout by Ash Pederick
Compiled and Produced by Calum MacNaughton

Cat. No. ASA103
℗ 1976 As-Shams/The Sun © 2023 As-Shams Archive

GIDEON NXUMALO - Early-Mart


An album dedicated to drummer Early Mabuza (Castle Lager Big Band, Mankunku Quartet), who died in 1969. Embedded journalist Leslie Sehume reports that a 14-piece band assembled for the legendary February 1970 session, eager to contribute to honouring an esteemed musical compatriot. Yet the recording also turned out to be Nxumalo’s swansong, released just months before his own passing in December 1970.

Issued on Soultown Records, Early-Mart was producer Rashid Vally’s first foray into modern South African jazz. It opened the door to a friendship and association with Abdullah Ibrahim, which in turn gave rise to the emergence of As-Shams/The Sun in 1974. In the wake of reissues of Jazz Fantasia (1962) from Mad About Records and Gideon Plays (1968) from Matsuli Music, we’re honoured to offer a 50th anniversary edition of the final piece of the Gideon Nxumalo Trilogy for South African jazz enthusiasts of the 21st century. With it’s long-form narrative centrepiece, Early-Mart pairs well with our contemporary companion release uGaba the Migration by Sisonke Xonti.

The ensemble that recorded Early-Mart was uncredited. We have no authoritative list of participants and the composition of the brass section is subject to differing accounts. We combine credible anecdotal sources to offer the following:

Piano - Gideon Nxumalo
Guitar - Allen Kwela
Bass - Morris Manana
Drums - Gordon Mfandu
Flute - Dennis Nene
Trombone - Blyth Mbityana
Trumpet - Stompie Manana • Kleinkie Rubushe • Johnny Selilo • Dennis Mpale
Alto Sax - Peter Mokonotela • Zacks Nkosi
Tenor Sax - Timothy Ndaba • Mackay Davashe
Baritone Sax - Valley Ngwenya • Conny Khumalo

Composed & Arranged by Gideon "Mgibe" Nxumalo
Recorded at Ster Studios, Johannesburg
Engineer: Trevor Evans
Produced by Rashid Vally
Cat. No. KRS 107
℗ 1970 Soultown Records © 2022 As-Shams Archive