Showing posts with label harari. Show all posts
Showing posts with label harari. Show all posts

AS-SHAMS ARCHIVE VOL. 1

As-Shams Archive Vol. 1: South African Jazz, Funk & Soul 1975-1982



MARCH 2023: As-Shams Archive Vol. 1 introduces the core catalogue of As-Shams/The Sun, the independent record label that documented some of the most exciting developments in jazz, funk and soul from South Africa in the 1970s. With 10 tracks from 10 iconic albums featuring 10 different artists and 10 original compositions, this compilation delivers 85 minutes of South African music history.

Including essential tracks by the likes of Dick Khoza, Black Disco and Harari, remastered from the original analog tapes, As-Shams Archive Vol. 1 is an unbeatable introduction to South African rare groove for new listeners as well as a long-awaited first anthology for the label’s many devoted followers.

DIGITAL ALBUM

1. KIPPIE MOKETSI – “Umgababa” (K. Moketsi)
From the album Tshona! (1975)
Alto Sax - Kippie Moketsi, Tenor Sax – Basil Coetzee, Piano – Pat Matshikiza, Bass – Alec Khaoli, Drums – Sipho Mabuse.

2. PAT MATSHIKIZA – “Dreams are Wonderful” (P. Matshikiza)
Piano – Pat Matshikiza, Alto Sax – Kippie Moketsi, Tenor Sax – Duku Makasi, Trumpet – George Tyefumani, Guitar – Sandile Shange, Bass – Sipho Gumede, Drums – Gilbert Matthews.

3. TETE MBAMBISA – “Umthsakazi (The Bride)” (T. Mbambisa)
Piano – Tete Mbambisa, Alto Sax – Barney Rachabane, Tenor Sax – Duku Makasi/Aubrey Simani, Baritone Sax – Freeman Lambatha, Trumpet – Tex Nduluka, Guitar – Enoch Mthalane, Bass – Sipho Gumede, Drums – Dick Khoza.

4. DICK KHOZA – “Lilongwe” (D. Khoza)
From the album Chapita (1975)
Drums – Dick Khoza/Negro Mathunjwa, Tenor & Soprano Sax – Ezra Ngcukana, Tenor Sax – Aubrey Simani/Khaya Mahlangu, Alto Sax - Teaspoon Noel, Trumpet – Themba Mehlomakulu, Trombone – Willie Nettie, Electric Piano – Mac Mathunjwa, Lead Guitar – Themba Mokoena, Rhythm Guitar – Joe Zikhali, Bass Guitar – Bethuel Maphumulo.

5. MIKE MAKHALEMELE – “Spring is Here” (M. Makhalemele)
From the album Blue Mike (1982)
Tenor Sax – Mike Makhalemele, Organ – Jabu Nkosi, Bass – Zulu Bidi, Drums – Nelson Magwaza.

6. BLACK DISCO – “Night Express” (B. Coetzee)
From the album Night Express (1976)
Organ – Pops Mohamed, Flute & Tenor Sax – Basil Coetzee, Bass – Sipho Gumede, Drums – Peter Morake.

7. LIONEL PILLAY – “Blues for Yusef” (L. Pillay)
From the album Deeper in Black (1980)
Piano – Lionel Pillay, Alto Sax – Barney Rachabane, Tenor & Soprano Sax – Duku Makasi, Bass – Sipho Gumede, Drums – Gilbert Matthews.

8. HARARI – “Musikana” (S. Ntuli, A. Khaoli, S. Mabuse)
From the album Rufaro (1976)
Vocals – Selby Ntuli/Alec Khaoli/Sipho Mabuse, Alto Sax – Barney Rachabane, Trumpet – Stompie Manana, Lead Guitar – Themba Mokoena, Keyboard – Selby Ntuli, Bass – Alec Khaoli, Drums – Sipho Mabuse.

9. MOVEMENT IN THE CITY – “Blue Sunday” (P. Mohamed)
Piano – Pops Mohamed, Tenor Sax – Basil Coetzee, Bass – Peter Odendaal, Drums – Monty Weber.

10. SATHIMA BEA BENJAMIN – “Music” (B. Benjamin)
Vocals – Sathima Bea Benjamin, Flute – Basil Coetzee, Bass - Louis Spears/Basil Moses/Lionel Beukes, Drums - Doug Sides/Monty Weber.

Cover Photograph by RALPH NDAWO
Gatefold Artwork (Vinyl Edition) by HARGREAVES NTUKWANA

Audio Mastering by Noah Mintz
Design Layout by Rouleaux van der Merwe
Compiled & Produced by Calum MacNaughton
Executive Producer: Rashid Vally

Cat. No. ASA101
℗ 1975, 1976, 1979, 1980, 1982 As-Shams/The Sun
© 2023 As-Shams Archive

As-Shams Archive is home to the catalogues of As-Shams/The Sun, its predecessor Soultown Records and the reissue imprint MANDLA. The archive holds original master tapes, unreleased recordings, photographs, artwork and ephemera documenting the story of South African jazz in the 1970s.

PAT MATSHIKIZA & KIPPIE MOKETSI - Tshona!

As a member of the all-star Jazz Epistles in the late 1950s, saxophonist Kippie Moeketsi (also spelled Moketsi during his tenure with the As-Shams record label in the 1970s) was one of the key pioneering forces of modern South African jazz. While Jazz Epistles bandmates Hugh Masekela and Abdullah Ibrahim would go on to build their careers in the United States in the 1970s, it was at home in South Africa that Moeketsi would leave his mark on the domestic jazz scene. From the outset of record store owner Rashid Vally's forays into the production of independent jazz in the early 1970s, Moeketsi played a key role, notably as a featured sideman on Abdullah Ibrahim's Dollar Brand Plus 3 in 1973.

While Moeketsi had a reputation as a great interpreter of standards with a firm grasp of jazz as an American idiom, he stepped into deep South African jazz territory with a pair of his own compositions on the album Tshona! (released on Vally's nascent As-Shams/The Sun label in 1975). With equal participation from pianist Pat Matshikiza (also a well established South African jazz figure at the time), Tshona! emerges as one of the great South African jazz collaborations of the 1970s and is revered as a canonical recording from this era. Moeketsi and Matshikiza were flanked by the Soweto's hottest rhythm section by way of drummer Sipho Mabuse and bassist Alec Khaoli of Harari and featured on tenor sax was none other than Basil Coetzee, who's contribution to Abdullah Ibrahim's breakout hit record Mannenbeg - 'Is Where It's Happening' the year prior had earned him the esteemed appellation Basil "Mannenberg" Coetzee.

With the album cover bearing a playful illustration of a pair of township thugs by artist Mafa Ngwenya, Tshona! is the ultimate jazz document of its time and place - modern, urban, original, authentic and unmistakably South Africa. Moeketsi and Matshikiza would continue to record together for As-Shams/The Sun with Moeketsi featured on Pat Mathsikiza's Sikiza Matshikiza album in 1976. Matshikiza returned the favour in 1977, appearing on Moeketsi's Blue Stompin' album, which featured the Hal Singer Quartet on the title track.

A1. Tshona (P. Matshikiza) 11:40
A2. Stop and Start (P. Matshikiza) 05:09

B1. Umgababa (K. Moketsi) 11:11
B2. Kippie's Prayer (K. Moketsi) 03:35

Pat Matshikiza –Piano
Kippie Moketsi – Alto Saxophone
Basil Coetzee – Tenor Saxophone
Alec Khaoli – Bass
Sipho Mabuse – Drums
Dennis Phillips – Alto Saxophone on "Tshona"

Recorded at Gallo Studios
Recording Engineer: Peter Ceronio
Produced by Rashid Vally

Cat. No. GL 1796
℗ 1975 As-Shams/The Sun © 2022 As-Shams Archive

HARARI - Beaters & Rufaro


Keyboards • Vocals - Selby Ntuli
Bass - Alec Khaoli
Drums - Sipho Mabuse
 
Recorded at Gallo Studios
Engineer: Peter Cerenio
Produced by Rashid Vally
Original Release 1975 • Cat. No. GL 1814
 

Keyboards • Vocals - Selby Ntuli
Bass - Alec Khaoli
Drums - Sipho Mabuse
 
Recorded at Gallo Studios
Engineer: Peter Cerenio
Produced by Rashid Vally
Original Release 1976 • Cat. No. GL 1874
 
FEBRUARY 2021: Friends and bandmates from schooldays, Selby Ntuli, Sipho Mabuse and Alec Khaoli already had a pair of sturdy rhythm and blues records on CBS under their belt by the mid-70s but it was over the course of two formidable albums with As-Shams in 1975 and 1976 that they transitioned into the Afro-rock juggernaut that would forge South Africa's most unique and successful modern dance sound of the era. It was also over the course of these two albums that the Beaters would transition into Harari, taking on the identity of their signature song, which in turn took its name from what would later become the capital city of Zimbabwe. Mastered from original tapes with beautifully restored artwork and comprehensive notes, Beaters - Harari (1975) and Harari - Rufaro (1976) are due for reissue by Matsuli Music on 1 March 2021.